Blogging the 2014 GIA Conference : Zoom Out

On Monday the very first session I attended was Art and Tech: Bending New Technologies to Native Traditions, organized by Wendy Red Star, Program Associate, and T. Lulani Arquette, President and CEO, of the Native Arts and Cultures Foundation, based in Vancouver, Washington. The session provided a platform for three Native artists to present their work to a relatively small but deeply engrossed audience. Its description promised an exploration of  tradition as a vital piece of a cultural continuum that is fluid, and added that, “Native peoples are not trapped in amber.”

The three artists who shared their work were Raven Chacon, composer; Rose Simpson, multi-media artist, and Kealoha Wong, poet. Follow the links and check out their work or better yet go and find them and their work in person. In thinking about how I would tell you about the session, which moved me and I’m guessing others to tears, I decided to ask National Slam Legend Kealoha if he would share a portion of the 14-minute poem he performed. It’s part of a larger work he explained as his life’s work — a 90-minute exploration of the intersections between the hard science he mastered as an MIT-trained physicist and traditions of creation storytelling. His electric performance took us from the Big Bang to primordial ooze and to dinosaurs, birds, and homo sapiens and then out into the cosmos to see ourselves in the grand perspective of geological time.

When the poem, Zoom Out, reached its climax, the right stage was set for what conferences like this are all about anyway — to get some necessary perspective on what life means in your corner of the universe, to get a grip on your own cosmic insignificance and to remember that joy is the answer to life’s mysteries and truths. “you, me, all of us … are transient … / you will not be you in the grand scheme of things, which makes all your suffering trivial / which makes your ecstasy the only thing worth remembering as part of the universe”

Read the full post on GIA's website HERE

 

Read More

GrantsCraft covers the ArtsLab report

ArtsLab began in 1999 as a multi-funder collaborative to support capacity development in small and mid-sized arts organizations in the Upper Midwest. The program aims to help these arts groups thrive; it recognizes the key contributions they make to community vitality and identity while at the same time acknowledges their fragility and under-capitalization. 

 

ArtsLab supporters recently commissioned a report about the program’s results.Capacity-Building and Resilience: What participants learned through ArtsLab, is the study I developed in collaboration with research advisor M. Christine Dwyer, of RMC Research. Our exploration involved meeting in-person with eight diverse organizations that had been participants in the multi-year ArtsLab program. 

Read entire blog posting here.

Read More

Meet the Makers Coalition

Initially published in Twin Cities Business Magazine

You may already know about the resurgence of the J.W. Hulme Co., the St. Paul-based creator of iconic and durable leather bags for more than 100 years. With burgeoning interest in high-quality, locally sourced and beautiful handcrafted products, the company’s purses, briefcases and other artisan leather goods are hot sellers. So hot, in fact, that it’s been difficult to hire enough trained and experienced U.S. craftspeople to make them. Two years ago, then-CEO Jennifer Guarino spearheaded creation of the Makers Coalition, a partnership built initially in the Twin Cities among 16 small manufacturers seeking locally based sewers, the Dunwoody College of Technology and Lifetrack Resources, a St. Paul-based nonprofit with strong programs in employment and economic opportunity.

The Makers Coalition now has another chapter, in Michigan, and Guarino is a VP at Shinola, the Detroit-based manufacturer of hand-sewn, “heritage style” watches, bicycles and leather goods, all requiring the skills of artisan “makers” (individuals whose photos are highlighted on Shinola’s website). Shinola recently opened a shop on Washington Avenue in Minneapolis’ North Loop neighborhood, one of several planned nationally, and news coverage highlighted the brand’s emphasis on “made in America.”

But this isn’t a column about Hulme or Shinola; instead, it’s about ways that innovative collaboration among the sectors can result in new jobs and economic growth. The Makers Coalition is a great example of groups with a shared interest coming together to make good things happen for workers and businesses. And Minnesota could be doing even more to foster these sorts of win-win efforts.

I caught up with Guarino recently and asked about how the coalition has benefited from Minnesota’s robust nonprofit infrastructure. She explained that Makers is not only a coalition of manufacturers but of businesses, community and technical colleges, and nonprofits in the workforce development arena. Let’s look behind the curtain.

With content expertise provided by coalition members, Dunwoody College created a curriculum that trains and certifies new sewers. Dunwoody is the only private nonprofit technical college in the Upper Midwest. Its 1,400 students in 2013 had a job placement rate of 97 percent, demonstrating Dunwoody’s deep expertise in training and development tailored to specific employer needs such as computer technology, automotive repair, welding and robotics. Dunwoody’s $22.6 million in revenue for the year ending June 30, 2013, included about $2.5 million in grants and contributions and another $1.8 million in investment income, some of which is from the endowment bequeathed by the college’s founders. Many students are eligible for scholarship support and leave with jobs that pay well and include benefits.

Another nonprofit involved in the success of the Makers Coalition is Lifetrack Resources. Lifetrack is a multi-service center with programs that link unemployed and underemployed individuals with training and employment opportunities. Lifetrack received funding that provided scholarships for low-income adults to attend the new Dunwoody sewing program. Funding came in particular from the Greater Twin Cities United Way, which provided $75,000 toward the effort.

So far 80 students have graduated from the new sewers’ program. Not all are employed at Makers Coalition businesses; some have become entrepreneurs and sole proprietors. The good news is that not only can these graduates find jobs but also that local businesses can build a pipeline of experienced artisans who someday can manage and lead those businesses. “We needed sewers, but we also needed to feed and build the management pipeline,” says Guarino. “These are people we can train up the line to become leaders in our organizations.” Entry-level jobs at Hulme pay $11 to $18 per hour depending on skill level, far above minimum wage. Pay and benefits grow from there based on tenure and other factors.

Minnesota foundations, our public and private colleges and universities, and Minnesota businesses have bemoaned the weak links between education and training program design, and job availability. What the Makers Coalition proves is that when aligned, these sectors can provide a powerful creative force in the economy. “Industry and education have to be in much more communication,” Guarino says. “It’s really incumbent on us to get together. What we have in this country is not a skills gap, it’s a preparation gap.”

Guarino also pointed to other industries, such as furniture and car manufacturing and tech companies, with similar problems to solve. In Michigan, for example, the new Makers Coalition chapter is forging ties that could help bring auto-upholstering jobs to the United States from overseas. The only thing missing to make such jobs possible for U.S. workers is the conversation, the will and the collaboration to get sectors working together differently.

“As businesses we have to commit to helping education [institutions] teach the skills that we need. The jobs we don’t teach, we will lose,” Guarino says. “The real power is in the togetherness, the coming together of sectors, skills, and expertise” to create jobs and a more competitive economic future for U.S. workers and businesses, she says.

Minnesotans are coming together more frequently to work toward alignment of employer demand and educational offerings. A new foundation-led collaborative, MSPWIN, was launched this year with a mission to “dramatically increase the number of adults earning sustaining wages.” (Disclosure: MSPWIN was a client of Lutman and Associates in 2013.) The Makers Coalition is showing just how effectively the for-profit and not-for-profit sectors can bring their separate but interdependent skills and infrastructure to bear to foster individual and community prosperity. The effectiveness of such efforts will depend on sustained communication and knowledge sharing between employers and educators about the skills that will be needed for our future workforce.

Back to School

Published in the September 2014 issue of Twin Cities Business Magazine 

It’s autumn and the start of a new school year. Our community abounds in ways for you to get involved and help Minnesota’s children prepare for educational and life success. Not sure how? That’s no excuse. There are dozens of nonprofits that can channel your time, energy and financial resources into action for Minnesota youth.

Data show why more of us need to apply ourselves to improving the lives of Minnesota’s nearly 1.3 million children. According to Minnesota Compass, the Wilder Foundation’s informative website about all things Minnesota, more than 180,000 Minnesota children live in poverty. Only 57 percent of our children met or exceeded third-grade reading standards in 2013, and only 59 percent met or exceeded standards for eighth-grade math. A full 20 percent of children fail to graduate from high school.

Career success becomes more difficult as children fail to reach these successive benchmarks. You and your business may be in a position to help. Read more to see a short list of places to support.

Read More

Nesta inspires with its Digital R&D Fund for the Arts

Nesta's Digital R & D Fund for the Arts is a multi-year collaboration among Nesta, the Arts Council England, and the Arts and Humanities Research Council. The Fund was established to help “accelerate effective innovation and experiment, bringing together researchers, technology businesses and arts organizations.” The Fund’s £7 million budget (about $11.7 million in US dollars) has been distributed via 3 two-year grant cycles with maximum awards of £125,000 ($210,000). It was created in response to the one-two punch of challenging economic conditions and the onslaught of digital technologies that together have required arts organizations “to sharpen up their thinking about how to relate to audiences, and how to develop business models that can bring more revenue.” (Check out the first year report here.)

Read More